SEARCH RESULTS FOR: P.P. Arnold
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(Vocals, b. 1946) This LA-born former member of The Ikettes was Ike and Tina Turner’s backing vocalist. Remaining in London after a UK tour, she signed to Andrew Loog Oldham’s Immediate label, capitalizing on Britain’s love affair with American soul. She is best known for her 1967 hit, Cat Stevens’ ‘The First Cut Is The Deepest’. She ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, 1901–68) Born and raised in Georgia, James Arnold was taught to play guitar by his cousin. He moved to Buffalo, New York in his late teens and to Chicago in 1929. He worked outside music, making bootleg whiskey, but also played occasional jobs. He first recorded for Victor in 1930 as Gitfiddle Jim ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Born in Henderson, Tennessee, in 1918, Eddy Arnold has not only shown remarkable longevity as an artist (his career spans seven decades and he has sold more than 80 million records); he was also a pivotal figure in country music’s dramatic stylistic shift during the 1950s from rough and rural to urbane and sophisticated. Speaking Through Song A ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1874–1951, Austrian One of the most important and controversial figures of twentieth-century composition, Schoenberg was a true visionary who paved the way for serialism – a system that, while abandoning traditional western harmony and melody, gave direction to the chaos of atonality. In so doing, he attracted plaudits and outright vitriol, for although serialism has ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1930–32 Premiered: 1957, Zurich Libretto by the composer Act I Moses prays in the desert. He is answered by voices from the Burning Bush telling him to become a prophet and the leader of the Israelites. He pleads that he does not have the eloquence to explain God’s will in terms they can understand, but is told that ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1921–2006 English composer Arnold began his career as an orchestral trumpet player, but soon attracted attention with music that combined tunefulness, orchestral brilliance and engaging humour (the comedy overture Beckus the Dandipratt and two sets of English Dances). His symphonies and concertos combine these qualities with deeper emotions; they have attracted a smaller, but admiring, audience. Among ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1883–1953 English composer Bax was strongly affected by Richard Strauss, Debussy and Ravel, but the formative influence on him was a Romantic image of Ireland, first encountered through the poetry of W. B. Yeats and reflected in such tone-poems as The Garden of Fand (Fand was the goddess of the Western Sea). His music is passionate (the tone-poem ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Är’-nolt Shön’-bârg) 1874–1951 Austrian composer Together with Stravinsky, Schoenberg has become the most influential figure in twentieth-century music. In his youth he wrote music in a ripe and sumptuously orchestrated late-Romantic style, but came to believe that the later music of Wagner, and that of Mahler and Richard Strauss, as well as his own, was undermining ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocal/instrumental group, 1962–66, 1975–76, 1983) After million-selling ‘House Of The Rising Sun’ in 1964, Tyneside’s Eric Burdon (vocals), Hilton Valentine (guitar), Alan Price (keyboards), Chas Chandler (bass) and John Steel (drums) racked up further international smashes and, by 1965, music press popularity polls had them breathing down the necks of The Beatles and The Rolling ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

July Waters’ In The Flesh Tours Begin In July 1999 Roger Waters commenced his first major tour since promoting Radio K.A.O.S. in 1987. Playing to enthusiastic crowds Waters delivered a set that carefully balanced the Floyd legacy with his own solo work. The band were drilled to perfection and included famed Sixties singer P.P. Arnold on vocals ...

Source: Pink Floyd Revealed, by Ian Shirley

Camille Saint-Saëns (1835–1921) is said to have written the first film score with L’assassinat du duc de Guise (‘The Assassination of the Duke of Guise’, c. 1908). Many composers in the US and Europe followed suit, although few wished to make a career in films. A famous exception was Erich Wolfgang Korngold (1897–1957), whose scores include the Academy Award-winning The ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

In 1937, Arnold Schoenberg said, ‘I have at last learned the lesson that has been forced upon me during this year, and I shall not ever forget it. It is that I am not a German, not a European, indeed perhaps scarcely a human being – at least the Europeans prefer the worst of their race ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The singing cowboys did not have the monopoly on country music on the silver screen, although it was their breed that first caught Hollywood’s attention. By the time the 1940s rolled around, several of Nashville’s top stars found that they could expand their careers by bringing their talents to the vast new audiences. Singing Stars In the earlier decade ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Unusually among musical instruments, a specific date has been posited for the invention of the clarinet. Johann Christoph Denner of Nuremberg has been claimed as the man who, in 1700, devised and built the first of these instruments. Like all the best stories, however, the history of the clarinet is shrouded in mystery. The instrument attributed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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